入沉默。窗外阳光很好，雨后的北京天空湛蓝，但办公室里有些压抑。墙上的“春草”短刀静静挂着，刀刃上映着窗外的光，一闪一闪，像在眨眼睛。
5月20日，一个普通的工作日。预售数字停在335单。李君宪在调试“飘逸”的终结技，第七次完美输入触发，画面淡出到纯白，只留下剑客收剑的残影，然后“咚”一声极轻的心跳，静默三秒。三秒后，竹叶的影子在右下角微微一动，环境音慢慢回来。
他测试了十次，只有两次成功触发。太难了。但他不想降低难度。飘逸的美，就在这“难”里。就像叶晚妈妈绣那幅“雨后春草”，不难吗？病重，手抖，呼吸不畅，但她绣了。因为难，才珍贵。
下午三点，邮箱提示音响起。是MoMA的Sarah，邮件标题是“Important update regarding the exhibition”。李君宪心里一紧，点开。
“Dear Li,
I hope this email finds you well. I'm writing to inform you of a change in the exhibition schedule. Due to unforeseen circumstances, the opening of 'Poetry in the Digital Age' has been moved forward to August 15th, one month earlier than planned. This means we will need all exhibition materials, including your game and embroidery, to arrive in New York by August 1st at the latest.
I understand this is short notice and may cause inconvenience. Please let me know as soon as possible if this new timeline is feasible for your team. If it's not, we may need to reconsider the
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